Badyl

him. I'm testing new Warsaw restaurants. Unfortunately, they disappoint.And once it seems that it's nice to agree to the interview properlya matter of minutes, he says that books about the PRL are completely hopeless.- I don't even read them because I'm just nervous. Those who alonethey remember lying down. Young people who write, write from these memories. Orfrom old newspapers. And in the newspapers there was no word of truth then.- And what should they do if those who remember do not want to tell? -butting.- Well, what would I say? I didn't do anything interesting - he says,not at all to ask her more, but to make me finallyunfastened.However, about a year after the first conversation, he invited me toeach other. Coffee and cake are very pleasant. I watch her collectionpre-war telephones: wherever he talks - ondesk, in the kitchen, in the hallway, even in the bathroom - is different. all chatabout the grandfather's portrait and Nikifor's graphics. A lit

I don't think Barbara Hoff wants to have a monument. It's toomodern. And if anything, then definitely not for fashion. If anything, then fordrilling a gap in the system. Or for being Tyrmand's wife.It's weird because she's been married to someone else for forty yearsand she drilled a crack wherever it was possible, because neither Department StoresCentrum, or Przekrój after Marian Eile's departure in 1969 toFrance was not the bastions of the opposition. Although it was no doubt closer from thereWest than East."I had only political motivation," he argues. - Now thatIt sounds stupid, but it was so. My friend Janek Ipohorska from Przekrójshe used to say, "Do everything, don't publish the creed," and he relied on that"Section". I couldn't say I was fighting Russification, and that's whyI need a button car, I wouldn't get it. Well, that's all for meIt meant.I am asking if during martial law she was not afraid that the

and she promised to lend him this morning. We don't need us for one daywe would copy it quite accurately, but you see yourself - it was to come today at eight, it is alreadyten o'clock and she's not there, that's why I'm so nervous because where will I find another now?girl with a coat. And that would be a hit. [...]- Is there no element of plagiarism?- We do not copy it literally, and indeed the whole world is doing the same. […] AsSweden or Germany from Germany should be in London, catch new trends and doeverything up to date, not with a two-year delay. At the moment, as I say, getting the modeldepends entirely on the initiative of some people.- What if they didn't have that initiative?- Nothing special would happen. That is - there would be no current news on the market, butwe, that is Apis plants, we could carry out our plan anyway. We are required to implement itindicators. And current indicators do not stimulate initiative and responsibility[89].So everyon

[ ^ ] Exhibition of footwear designs, Kraków 1972There has always been a problem with shoes. In 1973, technical director of the Industry UnionLeather, he admitted that ninety percent of the shoes that go on sale are modelsthat customers don't like. He promised improvement, but he did not keep his promise. customersthey were buying because there was no way out.Even Zdzisław Kozakiewicz. The Junior Director is then a starin one of the press rankings it even becomes the most popularWarsovian. In "Polityka" he is interviewed by Hanna Krall. Kozakiewiczwears according to current fashion: bells, floral shirtswith a wide collar, long hair and a glint in the eye. This flash has totoday.- I knew the directors of the cooperative, I knew the presidents of factories, so how https://failfake.com/pl/30_ nasa-space-women-s-sweatshirt I came to such a factory, one or the other, I asked him tothey showed what they were doing for export, and then I told them to do the same forus. It wa

defect, a light comes on immediately at the author's standsignaling that something is wrong with his work. " He goes to Krakow, where he is locatedCentral Laboratory of the Footwear Industry. He watches the new collection.He is delighted because "he corresponds exactly to what he demonstrates onworld annual shows in Bologna, Paris and other centersworld footwear fashion. " The Laboratory collections are to be used by the plantsproductive as a literal pattern or inspiration. Unfortunately: "When the modelgoes into serial production, it turns out that there is no such skin aswas used to make the original, so you have to use another, it ran out againmaterial for finishing the interior of the shoe, then again additions, glue, nailsetc. [...] Because each shoe consists of 150-200 elements, this onethis kind of trouble is common. "It is hardly surprising, then, that when Italian shoes appear on the commission,even pink with a twenty-centimeter heel, the whole